Views from Crestmont Drive

Needle (Astounding Science Fiction, May-June 1959; expanded to book form: Doubleday, 222 pages, $2.50 in hardcover, 1950)

by Hal Clement

Hal Clement (legal name Harry Stubbs) was one of the stable of science fiction writers developed by John W. Campbell in the pages of Astounding magazine in the 1940s. His first story was “Proof” in the June 1942 issue and his next 10 stories appeared in the magazine throughout the ‘40s. He’s most famous for the 1954 novel MISSION OF GRAVITY and his reputation rests on its sort of hard science fiction: alien environments rigorously extrapolated from known physical principles. (Others in this vein were ICEWORLD, 1953, and CYCLE OF FIRE, 1957.)

His first novel is a little different. This is NEEDLE, serialized in Astounding and expanded to book form the following year for Doubleday. And published, incidentally, as a juvenile, in the “Doubleday Young Moderns” series, despite, as SFE notes, certain themes. (The edition I’m reading, and using pagination from, is a 1974 trade paperback reprint in Avon/Equinox’s SF Rediscovery series, with an odd cover illustration depicting two Greek-like gods fighting in the clouds.)

Gist

The premise is that a good guy alien, Hunter, is pursuing across space a bad guy alien, Killer, and they both emerge from FTL in their separate ships near Earth and crash into the ocean just offshore of an island near Tahiti. The aliens are symbionts and must inhabit other bodies to survive. Hunter occupies a 15-year-old boy lying on the beach, makes himself aware to the boy, and together they engage on a detective hunt to identify what other person, on this small island, is harboring the fugitive Killer. It’s like searching for a needle in a haystack—except that the needle is disguised as a piece of hay.

Take

This is a decent mystery/detective story, in that a quarry must be found, various likely candidate hosts are identified, and circumstances eliminate some or suggest others, until the resolution uses clues we likely haven’t noticed to identify a previously unsuspected suspect. The greatest flaw is that the stakes are arbitrary—the bad guy is bad because we’re told so—while apparently the symbionts are if anything beneficial to their hosts, not harmful. What would have happened if the quarry hadn’t been found? Nothing at all, apparently. It’s a matter of alien justice, only.

Summary and Comments

• The opening pages describe Hunter and his ship, emerging from FTL, crashing into a planet, into shallow water. The ship is just 20 inches by 2 ft (our omniscient author informs us), and Hunter weights just 4 pounds. He has a companion animal called a “perit” which has not survived. (And nothing much is made of what this companion did; perhaps serve as a surrogate host during space travel.) We’re told how Hunter is a metazoan but with extremely small cells; it can reshape itself, e.g. exuding pseudopods, and insinuate itself into other creatures, like a passing shark, which Hunter then kills by depriving it of oxygen.
• The dead shark washes up on the beach. Hunter observes bipeds approach and play in the water. Hunter disguises himself as a jellyfish to approach them…
  • Up to this point the narrative does a decent job in describing things from an alien point of view, including some things we recognize as ordinary parts of our world that the alien doesn’t quite understand. (There’s a subgenre of such stories – Asimov’s “Green Patches” comes to mind—of SF writers doing this for better or worse.) But at this point the author gives up and tells us…
• One of the boys is Robert Kinnaird, 15-years-old, and his friends are having a farewell picnic; summer is ending and Robert is heading back to school on the mainland. As the boys sleep on the beach, Hunter creeps across the sand and enters the boy’s foot, moving through his muscles and organs, settling in the abdomen. He reminds himself of his kind’s ancient law: Do nothing that can harm your host!
  • The prose is rather clinical, e.g. page 22 as the boys part: “They were rather silent now, with the awkwardness natural to their ages when faced by a situation which adults would treat either emotionally or with studied casualness.” And throughout, Clement is fond of semicolons. And it’s third-person omniscient; note how the author informs us of the thoughts of the doctor, and the father, on pp56-57.
• We get some background on Hunter’s race, a race of symbionts that typically live on good, open terms with their hosts. A minority who occupy hosts covertly are regarded as evil and must be terminated—like Hunter’s quarry.
• Robert returns to school in Massachusetts, and Hunter is inadvertently carried along, panicked that his quarry is now far behind him. Months pass. Hunter learns the boy’s language by observing his physics class.
  • Typically of SF stories of this era, aliens are given the task of learning the humans’ language, rather than vice versa, and do so with remarkable speed (necessary to plot); Clement at least allows this to happen over a period of months.
• Hunter decides to reveal himself to Robert, which he does by taking control of the boy’s hands, then eyes, eventually projecting words across Robert’s field of vision
  • Robert is initially freaked out by feeling his fingers twitch, and so on, but once communication begins, accepts with remarkable equanimity that an alien creature has secreted itself inside his body. SFE (http://www.sf-encyclopedia.com/entry/clement_hal) notes that “This internal symbiosis is a highly loaded theme” but that the story is “told without any of the necessary queasy resonance.” My thought in particular was how an adolescent, especially, might feel angst about some alien, or anyone, witnessing all his bodily functions.
  • Robert also discovers a useful function of his symbiont: in his initial panic he races down the stairs and cuts open his arm, and sees that Hunter as the ability to seal the cut by extruding some glistening substance. This puzzles the school nurse. A couple of times later in the book Hunter similarly rescues Bob from serious injury.
• Robert (Bob) learns to speak out loud to communicate with Hunter. He quickly understands Hunter’s situation, and the problem of how to get back to the island, without any excuse to leave school to do so. In a convenient yet plausible bit of plotting, Bob’s distraction from his schoolwork on this matter leads to his dismissal from school for a rest leave back home.
• And so Bob (and Hunter) return to his island. At this point we’re at page 61 of a 207 page novel. The bulk of the book consists of…
  • Hunter trying to identify just where offshore the alien ships crashed, and therefore which humans might have been occupied by the quarry.
  • Bob meeting up with friends Kenny, Norman, Hugh, and Kenneth. They spend much time swimming, and exploring the southern edge of the island behind the reef. Bob can’t help but think these friends, on the beach with him that day, are the most likely hosts for Killer.
  • Meanwhile, Bob’s father is busy with a large construction project; the island’s economy rests on creating petroleum products from local plants.
  • Bob confides to the local doctor—who, as was Bob, is remarkably unperturbed by the idea of an alien symbiont. (It’s as if he was officer on some Trek starship, told of an incredible circumstance, accepting it immediately, and dealing with it, because that’s his job. To be fair, Hunter has Bob and the doctor hold hands to 20 minutes to establish contact between the doctor and the alien.)
• And all of this happens over the space of two or three days, because one of the prime suspects of hosting Killer is about to leave the island, and because Bob, who’s arrived on a Friday, is due to attend the local school on Monday.
  • One by one Bob’s friends seem to be ruled out; they’ve acted in ways a symbiont would not let them. Who is left?
  • Bob doesn’t figure it out; his symbiont Hunter does. It’s…. SPOILER … Bob’s father. Hunter verifies this by emerging from Bob’s body in the middle of the night and oozes into Mr. Kinnaird’s room, and makes contact with Killer, in a stand-off.
  • Hunter explains his reasoning to Bob the next morning: he’s observed Mr K. becoming more and more careless over the past few days, with several examples cited from scenes we’ve witnessed on the dock and at the construction site and perhaps not paid close enough attention to.
  • The rationale is that Killer, inside Mr. K’s body, has been protecting him from casual injuries just as Hunter has Bob, and this has made Mr. K less careful as he moves about the docks and the work site.
    • I don’t think this is plausible – if I cut myself and it healed amazing fast, would I become more careless around knives assuming I would heal quickly again? And did Hunter really notice this trend over the space of two or three days?
• Stalemate? The climax comes as Bob arranges an elaborate stunt, which involves setting a fire that threatens an explosion, to apparently threaten both himself and his father. The reasoning is that the Killer will flee Mr. K’s body if there’s risk to itself.
• The scheme works and Bob douses the Killer’s bloblike body to kill it.
• The Asimovian chapter titles (including “Signal,” “Answer,” “Stage…”, “Setting…” and “Players”, and especially “Slip!” and “And Fall!”) helpfully mark key points of plot. “Problem One” was identifying Killer’s host. “Problem Two” was ridding the host of Killer. The final chapter is called “Problem Three”. What would this problem be? Why, fairly obviously, it’s what does Hunter do now? He has no way of leaving Earth to return to his own world. That’s obvious, so perhaps the actual problem is whether Bob is willing to continue hosting him. And without a moment’s hesitation, Bob agrees, and he needs Hunter to concoct an explanation for why he started that fire. The end.

Notes

I was reminded somewhere recently that one way of thinking about a story is to consider, what are the stakes? Why should we care? And so my problem with this story is why there is such urgency to find Killer and remove it from its host. We gather that Mr. Kinnaird was never aware of hosting an alien; it’s not as if the alien Killer were manipulating the human to carry off some evil plan. Nor have we been given evidence that Killer at any time killed anyone; his name begs his evil status. (Or did I miss something?) What was the problem with both Hunter and Killer remaining in their hosts? If anything, these symbionts are beneficial to their hosts, in that they can protect their hosts from bodily injury.

Credit given for Bob’s having the presence of mind to wonder if Hunter is telling him the truth about who he and his quarry are. Mightn’t Killer tell Mr. K an identical story, or some cover story to justify his presence? Yet, though we suspect once or twice that Mr K is aware of, or being manipulated by, his symbiont, we gather by the end of the book that he was entirely unaware of his invader. (I noted a line on page 127, which I thought might be foreshadowing, as Mr. K observes his son Bob napping: “Mr. Kinnaird approached silently and looked down at the boy for some time with an expression that defied interpretation.” Perhaps this is just haphazard omniscient narrative from Clement.)

Much is made of Bob’s not having opportunities to speak with Hunter, since doing so requires talking out loud—but all he has to do is go to the bathroom. Except characters in fiction of this era didn’t go to the bathroom.

The endless details about the geography of the island, how the boys move back and forth across it, get wearying. You have the impression the author lived on such an island and is using it exactly as the model for the nameless island in this book. (Though the bios at SFE and Wikipedia indicate no such connection; Clement spent WWII in Europe.) And the author also seems to know a lot about industrial construction!

I should note that Clement wrote a sequel years later, Through the Eye of a Needle (1978), which I’ve not read. So perhaps he addressed some of these lingering issues there.

Conclusion

Despite a couple gaps in plausibility, this is a good example of Campbellian era problem-solving science fiction. Situations are set up, and problems are introduced that must be solved within the constraints of the situations. How does Hunter establish contact with the human he is occupying? How do they find who’s hosting Hunter’s quarry, with no way to tell externally, only by circumstance? This is the kind of story that invites the reader to solve these problems before the characters do, as in any good mystery novel.

Here is one of the best science fiction novels of all time. It’s about the entire world, and implicitly the entire human race, and it’s as timely as ever as, for one reason or another, humanity faces the realization that its indefinite survival on planet Earth is not guaranteed.

The novel is EARTH ABIDES by George R. Stewart. It was published in 1949 and was Stewart’s only SF novel (though he wrote a couple earlier novels about natural catastrophes, including one about a storm that inspired the US National Weather Service to give storms names). It won the first International Fantasy Award (http://www.sfadb.com/International_Fantasy_Awards_1951) in a year preceding the advent of the Hugos. (Stewart never wrote any other science fiction, and this novel wasn’t published as science fiction, but was later embraced by genre critics, much as the famous novels by Huxley and Orwell were.)

It’s about the aftermath of a worldwide plague that kills off virtually all of humanity, all but a tiny number of people who are naturally immune. We gather this number might be a dozen or two in any large city. It follows one particularly character, Isherman Williams, Ish, as he returns to his city, which happens to be Berkeley, California, from a stay in the mountains, and discovers that the world seems deserted.

That is, the story begins after the initial catastrophe is mostly over, the part of it presumably involving mass panic and people dying in horrible ways. In this way it resembles similar stories, like Wyndham’s THE DAY OF THE TRIFFIDS or the debut episode of The Twilight Zone, “Where Is Everybody?” (and numerous others I’m sure; there was a Martian Chronicle like this too), which invites the personal fantasy of having the entire world to one self, and the temptation of imagining what to do with it, despite the growing panic of not knowing how the world got this way.

The book then follows the rest of Ish’s life. And it does so in varying manners of scope and pace in a way that gives the novel a multi-dimensional impact.

Here’s a bulleted summary with comments indented one tab.

World Without End

In a 345-page book (I’m using the pagination of the 2006 Del Rey trade paperback edition), the first part, “World Without End,” is 127 pages. It follows Ish from day to day as he realizes what has happened and starts to make a new life for himself.

• He is living in the mountains, is struck by a rattlesnake, and lies in bed in his cabin recovering for the several days. (Perhaps that is what gives him immunity from the plague.)
• Recovered, he drives to town, finds no one; finds a week-old newspaper that tells of a disease sweeping the US, leaving 25-35% of the population already dead.
• He drives down the highway to the city, in the Bay Area, and to his parents’ home on San Lupo Drive.
  • A Stewart website, https://berkeleyplaques.org/e-plaque/george-r-stewart/, says the author’s actual house was on San Luis Road, in Berkeley; San Lupo is fictional, but the novel seems to base its house on the actual one. There’s a photo in the scroll at the bottom of the page, linked here:
  • 
  • A lot of the older homes in the Oakland and Berkley hills are on narrow lots and so are tall, and/or deep. The location is about a mile north of the UC Berkeley campus.
• He walks the neighborhood, drives through town, finds only a handful of people, crazy or half-dead. He starts across the deserted Bay Bridge before deciding it’s pointless, and returns home.
• Ish is remarkably calm about all this, ready to be a spectator to observe what happens to the world in the absence of man. He considers his own qualifications: he has will to live; has always been solitary; did not experience the disaster firsthand. And is not superstitious.
  • During these wanderings has passes through a park with tall rocks, that will become significant later.
• He packs his station wagon, befriends a dog, and drives cross country, over the Tehachapi Pass, across the Mojave Desert, into Arizona. He encounters an isolated family of timid Negroes. He eventually reaches New York.
• The city is empty. He meets a couple who hear his car approaching: Milt Abrams and Ann, two random survivors now living together, drinking warm martinis. Ish stays a night but finds them vacant, and departs.
• Soon he’s back home, gathering food from stores. The water still flows; a public library is nearby; the lights stay on…for a while, then fade.
• Weeks pass. He reads the Bible—Ecclesiastes, Solomon—pondering the meaning of life. And then he sees smoke from a chimney down the hill. And finds the house, and meets a woman there, Emma. After only a few minutes inside, they embrace.
• She moves in with him. They talk of having a child. Rat populations explode, and they worry about plague. Emma knows the time will come for her child…and reveals to him, very indirectly, her secret – that she’s half black. It doesn’t matter to him.
• Ish visits the university library, overwhelmed by its preservation of civilization. He decides to better keep track of time, and uses a surveyor’s transit to follow sunsets to the west across the bay. When sunset reaches furthest south and begins moving back north, that’s the solstice. He resolves to wait for the following solstice and then mark the end of Year One, somehow. Things aren’t finished; the world is without end.

Musings

Throughout the book are italicized passages that reveal what has happened outside of Ish’s experience—mostly about what is happening, or will happen, to the world at large, without humanity’s maintenance or interference.

The opening lines of the book are one of these passages, page 3: “…and the government of the United States of America is herewith suspended, except in the District of Columbia, as of the emergency. […] The West Oakland Hospitalization Center has been abandoned. Its functions, including burials at sea, are now concentrated at the Berkeley Center.” And so on.

Page 8: An encyclopedic passage about how populations of animals fluctuate, expanding until being struck by plague. Page 10: How a rodent on Christmas Island went extinct.

Then numerous passages about how the world as maintained by humans will deteriorate. About how pet dogs will die in their houses or merge with their wild counterparts. About how cats will die in their houses or not survive contact with wildcats. About grasses and flowers, gardens withering untended. What will happen to various livestock. Later, how the city decays, how cars will decay. In these we see how the Earth itself is as much a character in this novel as is Ish, as Connie Willis points out in her introduction to this edition. And these passages anticipate Alan Weisman’s striking 2007 book THE WORLD WITHOUT US (https://www.amazon.com/World-Without-Us-Alan-Weisman/dp/0312347294/), which remorselessly describes how the artifacts of humanity will decay in days, years, and thousands of years after humanity’s hypothetical disappearance.

The farthest perspective is this from page 17:

High overhead, moon and planets and stars swung in their long smooth curves. They had no eyes, and they saw not; yet from the time when man’s fancy first formed within him, he has imagined that they looked down upon the earth.

And if so we may still imagine, and if they looked down upon the earth that night, what did they see?

Then we must say that they saw no change. Thought smoke from stacks and chimneys and campfire no longer rose to dim the atmosphere, yet still smoke rose from volcanoes and from forest fires. Seen even from the moon, the planet that night must have shown only with its accustomed splendor—no bright, no dimmer.

Quick Years

Stewart then shifts into fast forward mode to show what happens to Ish and Emma and others they meet, over the next 20 years, in 19 pages.

• At the end of the first year, at a small park near their house where tall rocks lean against each other, Ish chisels out the number 1, to mark the first year: the Year of the Baby.
  • Personal aside: as I read this I had a frisson: could he be talking about Indian Rock Park? It was a place I had just visited, with my family, about six months before I reread this novel (which was about a year ago now). It’s a small park of enormous boulders now surrounded by homes in the Berkeley Hills; there are several similar parks in the area, presumably outcrops of rocks the home developers didn’t figure worth clearing. (Various websites devoted to George R. Stewart confirm this as the park described in the book.)
  • Here’s my blogpost about the visit: https://www.facebook.com/Mark.R.Kelly/posts/10156013994243717. (Which I’ve made public.) And my photo; the San Francisco skyline is in the distance.
  • And here’s the official website: https://www.cityofberkeley.info/Parks_Rec_Waterfront/Trees_Parks/Parks__Indian_Rock_Park.aspx
• Back to the book: The years pass, each one chiseled into the rock and given a name. The year of the garden; the year of the fires. Wildfires in northern California were as common then as now (it’s just that now they’re so much more destructive, since humans have been building further into fire-prone areas).
• A man, Ezra, visits them a while, departs, and returns two years later with two wives, a situation presented matter-of-factly. [[ This was an issue in DAY OF THE TRIFFIDS too. ]] Another couple appears, and stays. They become a small tribe of seven adults, four children, and a half-wit, Evie.
• They deal with cattle, mountain lions. Ish tries conducting church, for the children’s’ sake; but Ish is a skeptic, and thinks of it as a sham, and ends it.
• An old man passing through brings them an epidemic, and three children die.
• Wood carving becomes a fad. In Year 16, the first children get married.
• In Year 17, a nearby house collapses. (Recall Alan Weisman. As a homeowner myself, I completely sympathize with the idea that, without regular, unending maintenance, a house might simply decay in a decade or two and fall down.)
• Year 20: a big earthquake, and more houses fall down.
• Year 21: One boy, Joey, who’s bright but no good at play, learns to read.

The Year 22

This middle section is the longest in the book, running from page 147 to page 304. Having employed three different narrative strategies, from the Stapledonian to the single point-of-view, Stewart now focuses on a single dramatic year in the lives of Ish and his kin.

The epigraph to this section, on page 147, concerns those Europeans who (in the early settlements of America) defected from their settlements to become Indians, while no Indians left their villages to settle with the Europeans. Exactly the same point was made in Sebastian Junger’s 2016 book TRIBE (https://www.amazon.com/Tribe-Homecoming-Belonging-Sebastian-Junger/dp/1455566381/) to try to understand why “primitive” society is, to many, so much more attractive than “modern” society.

The events of this year:

• Ish ponders the future and thinks about who might someday lead their tribe. He focuses on Joey, the smart one.
• The water runs slow; they discover the reservoir is running low.
• Two boys fix up a jeep and leave on an expedition east.
• The tribe grows. Ish resumes teaching. He realizes the power of holding a hammer, which is regarded as a holy relic [[ recall LORD OF THE FLIES, the conch! ]]
• The two boys return, bringing an older but dirty man, Charlie. They’d reached Chicago. The tribe become suspicious of Charlie, a threat to their order, for various reasons, and vote to execute him. And they do.
• Another disease strikes, perhaps typhoid fever. Ish succumbs, but survives, and learns that – SPOILER, since this is the most emotional scene in the book – among others, Joey, his hope, has died.
• Ish spends weeks convalescing. He goes for a walk, considers disposing of the hammer, but does not. He walks to the campus, and in the library finds a book he once read about climate: “Climatic change was not a practical problem,” he thinks, and puts the book back.
• Ish becomes disconsolate. Perhaps Joey may not have been able to change anything. The Tribe won’t rebuild civilization. They will run out of supplies, or ammunition, or matches.
• He decides: no more school. Instead, he teaches them how to make bows and arrows. The children are fascinated and competitive. Ish takes solace in that they have an invention to fall back on when there are no more rifles.
• The year ends, and they simply name it, Year 22.

Musings

There are several in this section too, some of them thoughts about human society that might well be Ish’s:

• Page 190, how long the bridges will last.
• Page 210, how old boundaries, like fences, give way to landmarks.
• Page 219, education, from a child’s point of view: Civ-vil-eye-za-shun! That is what Uncle Ish talked about. There are lots of quail by the stream today. Two-and-six? I know that! Why should I say it to him? Two-and-nine? That is hard. It is more than my fingers. It is the same as “a lot.”
• Page 231, what happens to a culture when its promised one is gone. Between the plan and the fulfillment stands always the frail barrier of a human life.
• Page 233, Ish muses about being treated like a god, receiving sacrifices.
• Page 293, How people yearn to escape from daily life to go fishing, or camping, or sit in a cabin or on a beach. What a strange thing then is this great civilization, that no sooner have men attained it than they seek to flee from it! […] Why do the legends look back toward some golden day of simplicity? Must we not think then that this great civilization grew up, not by men’s desires, but rather by Forces and Pressures. Step by step, as villages grew larger, men must give up the free wandering life of berry picking and seed gathering and tie themselves to the security (and drudgery) of agriculture… Yes—this is the key.

Quick Years 2

A shorter, 10 page fast forward, taking Ish into old age.

• Adult members of the tribe die.
• In Year 34 they meet another group north of the bay and agree to merge, for the sake of wives.
• Em dies; Ish marries a young woman from the other tribe and has more children.
• In Year 43 Ish is too tired to carve the rock and given the year a name, and the tradition dies.
• A fire ravages the city for a week.
• Then Ezra dies, the last of the original tribe’s adults, and Ish realizes he is the last American.

The Last American

This final section is just 30 pages long.

• One day a young man, Jack, comes to Ish, showing off his bow and arrow. Rifles can’t be trusted. The boy shows his red and white arrows, with points made from different “corns” (i.e. coins) with pictures on them of the Old Ones, who perhaps made the hills and the Americans. Red arrows are for one kind of hunting, white for another. Why?, Ish asks. The boy replies that there is no why, things just are; “It is like the sun that keeps on going round the earth, but naturally no one knows why, or asks why. Why should there be a why?” Ish is tempted to respond, but stops himself. It doesn’t matter; superstitions will arise.
• Ish asks the boy, are you happy? Jack responds, “Yes, I am happy. Things are as they are, and I am part of them.”
• Then one morning there’s a fire and the entire group flees, Jack bringing the hammer. They huddle by the rocks as fire sweeps through the neighborhood. Now the second world is gone too, Ish thinks. They hike to the campus and camp there.
• In the morning they head west. Ish is weak, but clear-headed enough to realize he is dying. They go along the East Shore Highway, US 40 [now Interstate 80/580] and head out onto the bridge. Ish has a seizure, wakes to the boys appealing to him for some decision—about who should get the hammer. He indicates Jack. He sees the hills across the bay, and remembers the passage, “Men go and come, but earth abides.”

Musings

• Page 326: The cuts in the hills and the long embankments for the roads—they will still show as narrow valleys and ridges even after ten thousand years have passed. The great masses of concrete that were the dams—they will remain like the dikes of the granite itself. It goes on: three fires will destroy the rest: of rust, of decay, of flame.
• Page 331, sounding Biblical: Again, in that day each little tribe will live by itself and to itself and go its own way, and their differences will soon be more than they were even in the first days of Man, according to the accidents of survival and of place…

Notes and other quotes

• The main character, commentators note, is almost certainly named after Ishi, a Yahi Indian who emerged from the California mountains and into the modern world in 1911. His story was documented by the anthropologist Alfred Kroeber, father of Ursula K. Le Guin (who grew up in Berkeley).
• If a primary theme of the book is the almost welcoming of a return to a simple way of the life, the counterpart to that is the idea that knowledge, rationalism, escape from superstition (e.g. culminating in Ish’s atheism) are luxuries available only to individuals in a large civilization that can support them. Whereas in a tribalistic way of life, they are unneeded and perhaps counter-productive.
• P284.4: “Perhaps rationalism—like so much else—had only been one of the luxuries which men could afford under civilization.”
• P311.8: “Perhaps the brilliant ones were not suited to survive.”
• On the primary theme: commentaries like Wikipedia point out the reflection of Biblical themes in this novel – the recovery from the global catastrophe, etc. But I see both this novel, and the parables of Genesis, as reflecting the larger issue of the evolution of human culture, in particular the fallout of the transition from the hunter-gatherer way of life through the invention of agriculture to the sedentary way of life, some 10-12,000 years ago. Anthropologists and historians have increasingly recognized the inherent dilemma; Jared Diamond, in GUNS, GERMS, AND STEEL (https://www.amazon.com/Guns-Germs-Steel-Fates-Societies/dp/0393354326/), called the Neolithic Revolution “the worst mistake in the history of the human race.” I wonder if perhaps the yearning for the simplicity of life before agriculture is what motivates not only the parables of Genesis, but the eternal notion that things were better in the “good old days” (an idea cited in “Death Sentence,” one of the EARLY ASIMOV stories!) all the way up to MAGA.
• And so this dilemma is surely as profound as any issue in literature: has the expansion of our species and our knowledge of ourselves and the universe through science and rationalism been worth it? Or is it better to be happy as part of a tribe and know nothing of the world? “Yes, I am happy. Things are as they are, and I am part of them.”

One quibble

The quibble is about Del Rey’s cover blub: “The Award-Winning Futuristic Classic.” There’s nothing futuristic about this novel; it’s set in the author’s present and was published in 1949, and the events in it could easily happen now as then.

Of course, this novel is science fiction because science fiction isn’t merely about speculative futures; science fiction is about the humanity’s place in and understanding of a presumably comprehensible universe that objectively exists independent of human desires and motivations. And in the balancing of its portrait of human nature as expressed in its characters and emerging new culture, with the depiction of a planet that is bound to endure whether humanity survives or not, EARTH ABIDES addresses this broadest project of science fiction as well as any novel I know.