Further thoughts on the topic of Friday’s post. (Busy weekend.)
The first thing to understand about the very broad generalizations I made there is that there is no one type of “science fiction,” no one “fantasy” genre, no one idea of “horror.” In the essay I got published last year I made an attempt to describe a “hierarchy” of science fiction — in fact, an early version of that hierarchy was post back in 2020, here. The key difference is between the crude ‘popular’ idea of science fiction — spaceships, aliens, robots, and so on — and the more refined examples that take reality into account and speculate honestly about the nature of the unknown.
There is a similar range in horror. The crude ‘popular’ example of horror emphasize fear and disgust — monsters, gore, threats to existence. The subtler examples of horror focus more in creepiness and unease, even cosmic unease.
The notion of cosmic, or existential, horror, is captured fairly well by the Copilot summary I get when using Google:
Existential horror is a subgenre that explores themes of insignificance, isolation, and the unsettling realization that humanity is merely a speck in a vast, uncaring universe. It delves into the fear and anxiety stemming from the human condition and the search for meaning in a seemingly indifferent world. This genre often evokes feelings of dread and existential dread, making it a profound source of horror in literature and film.


/>






